The Main Theme is done in a Hymn to the Fallen style choral memorium which is just stunning set against the montage opening titles sequence and is quite beautiful in its own terms. Not perhaps as moving as Hymn to the Fallen, but none the less a worthy successor. I'm not entirely sure how the sequencing of the album was considered, but the next two tracks are simply suites one and two, seemingly a collection of all the more rousing material from the score. Not quite action music, a lot of it is rousing, brassy and militaristic, but in a fairly non patriotic way. Still, stirring stuff and one of the few parts of the score that contains Kamen's more distinctive harmonies and progressions.
Having appeared to have set a scene for a rousing score, the album becomes very much more subdued. The brass goes on holiday and somber strings combined with woodwind become the order of the day. It is perhaps a fraction hard to take given the sudden shift in tone to something somewhat more understated and serious - the two suites are not exactly subtle at times - but Kamen's dramatic sense is superb and the writing is still superb unto itself. Things do inevitably sag at times, the thematic material isn't always as memorable, although the occasional appearance of the main theme always help. The short Beethoven string quartet fits right into the fabric of the score, you almost need to concentrate specifically to notice it, so similar is it in tone, if not compositional style.
Things pick up somewhat towards the end and culminate in the Band of Brothers Requiem, a kind of alternate version to the Main Theme with the addition of soaring vocals by Maire Brennan and Kamen's daughter Zoe. While starting in instantly memorable style, the bulk of the score requires more careful attention to appreciate, although even the most attentive might find it dragging slightly in places. Having said that, it's still a very noble effort and another great addition to Kamen's catalogue.
Rating ~
Total Time ~ 65:59