Home Alone 2 is the kind of sequel that doesn't carry on the story so much as rehash the original film with superficial changes. However, for all that, only a couple of passages - notably Holiday Flight and Preparing the Trap - are more or less repeated wholesale. Of course all the original themes are reprised at some point, from the sweet Somewhere in My Memory, to the equally fine melodies elsewhere, my favourite being Williams' playful tune for Culkin's character as he explores the initial fun of doing his own thing. However, there are plenty of new delights to savour, particularly Merry Christmas, Merry Christmas which appears with disappointing infrequency during the score itself, but the full choral version that functions as the end credit should be added to the roster of spirited, festive songs that do the rounds every year. It's certainly a pleasant relief from Slade.
Perhaps the biggest pleasure of both the Home Alone scores is that they have so many delightful asides; here Arrival in New York instantly conjures the sensation of arriving in a big city, lit up and inviting. Duncan's Toy Store echoes this, but with a more homely feel, while Distant Goodnights has the kind of genuine affecting emotion that is missing in so many modern comedy scores. Indeed, the film's own emotional impact is greatly improved by Williams' music; true, it goes into overdrive for the big reunion finale, but at least Williams has led us to that point and not trotted out a huge orchestral climax every five minutes. In any event, after the expertly written, but not as musically engaging material for the showdown with the thieves (the only section that is largely more valuable in the film than on disc) and the thrilling Into the Park, a big feel good climax is almost obligatory. Elsewhere, the action sees the composer at his playful best, although with just the right element of danger where appropriate.
Of all the scores to re-release as a deluxe edition, Home Alone 2 doesn't seem like the most obvious, but as with most Williams scores, he is a fine enough composer to ensure that even a film this slight has a score worth hearing in its entirety. Therefore, even at over an hour and a half, there are only a couple of slack periods (the Booby Traps sequence, while technically accomplished, isn't really great as pure music) and the seemingly endless stream of memorable themes and motifs means there is always something to enjoy. The bonus material is especially fascinating, particularly the jazzy alternate Holiday Flight which is a long way from the Tchaikovsky inspired version from the films. I think it was rather hope over expectation that Columbus would go with something different for a scene so clearly reprised from the original, but in any event, alternate takes - especially one so unlike the final version - are invariably fascinating.
Varese's Club edition is, unsurprisingly, immaculately produced, with superb liner notes. It also boasts superior sound as the original album was incorrectly pitched due to a mastering error. Not liable to bother most, but those with perfect pitch must find it infuriating! The bonus material takes completeness to the Nth degree and, while little of the extra music in the main body of the score is missed on the generous original album, all of it is worth hearing. I suspect that many will still be satisfied with the original album, (which is somewhat difficult to find these days) as it does contain all the best material and the mixing defect isn't a great issue. However, Varese's release is still a delightful treat and being Williams, likely to sell out sooner rather than later. Either way, one of the most engaging and underrated scores in the Williams canon and the perfect Yuletide musical accompaniment.
Rating ~ 
Deluxe Edition Disc 1 ~ 46:48
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Deluxe Edition Disc 2 ~ 53:17
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Original Release ~ 63:20