The original French production had music by Emilie Simon, but Alex Wurman was brought in to provide a new score for the American release. Given that most European composers produce music of high quality, this seems something of a slight, but Wurman's music is certainly a fine accompaniment. This is not epic, George Fenton style stuff, but rather more intimate in approach. Wurman takes the march of the title to heart and propels the score along with a pleasing rhythmic drive; nothing too ferocious, just enough for it to bounce along. Several bring to mind Jeff Beal's terrific score to Pollock (although only in approach, nothing specific), notably the titular third track which turns out to be surprisingly stirring. Wurman uses the cue's time span to build on the gentle beginning into something a little more grandiose, but not overwhelmingly so.
Unlike Deep Bluet, this is not an album of inspiring set pieces, but more through composed with a consistent base of flute, piano and light percussion. Much is of chamber proportions, with the string orchestra making just the occasional incursion, but the lightness of touch is entirely appropriate and quite lovely. Wurman carefully balances the iciness of the environment with the occasionally comic behaviour of the penguins amidst the considerable perils and obstacles they face. For a composer from the Media Ventures stable, Wurman has entirely shrugged off the style of his earlier efforts (mainly as one of Hans' little helpers) and produced quite wonderful, a genuine surprise and a delightful score that grows on you with every listen. Highly recommended.
Rating ~ 
Total Time ~ 41:32